GROWS YOUR FOLLOWING
BLOWS UP YOUR CHANNEL
“Every time I try to shoot a fight it always ends up looking flat and amateur.”
“I feel like I’m going to waste people’s time or money trying to shoot action because I don’t know what I’m doing.”
“I have no idea what shots to get or what looks good.”
“I don’t know where to put the camera to make things look real.”
“My fight scenes always look cookie cutter and basic. They don’t stand out and look like everything else.”
“I’m scared to even attempt an action scene because I know I’ll screw it up.”
“I can choreograph cool moves but once the camera comes on I’m lost.”
“I get nervous when it comes to directing performers and stunt people.”
SCENE IS ACTUALLY ABOUT
CHOREOGRAPHY FIRST
THINKING
They spend all of their energy designing punches and kicks and combos but never ask the most important question…
But to shoot compelling fights, this has to be the foundation.
As a martial arts nerd it pains me to say this… but audiences don’t care about choreography.
We’re choreographing for audiences – not other martial arts nerds.
And audiences connect through character and story.
When you start with character:
- Who they are
- How they approach the world
- Where they are in their journey
...the choreography creates itself.
In real life, ballerinas suffer. They dance with broken bleeding toes.
They push through pain. They endure.
So we used that. She gets beat up. She struggles beat by beat.
he’s hesitant and unsure, fighting with effort.
But as he begins to believe he is The One,
the choreography shifts.
He becomes more fluid, more composed
his fight style evolves too.
At first, he’s all force and survival.
But as he adopts samurai philosophy, his movements become more measured
• Craft fights that tell a story
• Make choreography feel like discovery – not random
• Create contrast and escalation that create emotional arcs
• Make sure the punches sell
• Find a cool angle
• Shoot it
• Move on
It feels like coverage.
• Multiple shots
• Their purpose
• How they fit together
• Before you ever press record
What is this shot about?
What character, story beat, or emotion am I conveying?
How can the camera reinforce that?
• Use camera movement with purpose, not randomly
• Pick focal lengths, angles, and framing that heighten impact
• Build your sequences before you ever press record: like a director
– LUKE, FIGHT LAB STUDENT
Hear directly from filmmakers who’ve gone through Fight Lab and started shooting fights that actually feel cinematic.
whether you’re trying to land jobs, build a following,
or grow your YouTube channel.
✔️ Crafting fights like an action director built on character and story
✔️ How to immerse your audience through camera design
✔️ A repeatable framework for shooting cinematic sequences
✔️ Unlock how to heighten tension and escalation through editing
Fight Lab is now built for filmmakers who want to learn *fast* at their own pace.
No drip schedule. No waiting weeks for modules.
You get instant access to the entire system the moment you enroll — plus ongoing support with me to keep you progressing.
Core Module — Tech Foundations
Master the camera so it never holds you back
You’ll build a rock-solid foundation: screen direction, framing, selling hits, lensing, and real-world settings that make fights actually look cinematic.
- ✔ Cinematic settings for clarity and compression
- ✔ Composition rules that actually matter for action
- ✔ How to sell hits for camera (and why yours may look fake)
- ✔ Breaking the 180-degree rule *intentionally*
- ✔ Real-world gear walkthrough and lens choice
Core Module — Mindset & Character-Driven Fight Design
Think like an Action Director
Stop choreographing random cool moves. Start designing fights that mean something and actually land emotionally.
- ✔ Overcome creative blocks and overthinking
- ✔ Tie movement to character and stakes
- ✔ Build escalation like a story (setup → escalation → resolution)
- ✔ Map motion paths and geography before you choreograph
- ✔ “Design for the camera” mindset from the first idea
Core Module — Camera Design & Shooting Fights
Stop filming. Start designing.
You’ll learn to plan a sequence like a director — with intentional shots, clean geography, and energy that reads.
- ✔ Walkthrough a fight with me and learn my entire thought process
- ✔ Choosing coverage that supports the edit
- ✔ Mapping entrances/exits, overlaps, and screen direction
- ✔ Energy tools: counter-movement, lensing, camera motion
- ✔ Building your “Menu” of dynamic shot types
Core Module — Editing & Rhythm
Make your cut tell the story (and hit harder)
Learn the invisible tools that make fight scenes feel like actual films — pacing, rhythm, emotion, and sound.
- ✔ Rhythm and pacing for clarity and tension
- ✔ Impact moments: hold vs smash
- ✔ Sound design as emotional glue
- ✔ Rough → rhythm → polish → mix workflow
On-Set Tools & Templates
Practical assets you’ll use forever
- ✔ Downloadable Fight Manual
- ✔ Shot planners & sequence maps
- ✔ Camera & lens reference sheets
- ✔ Cinematic and Exposure cheatsheets
PRIVATE CIRCLE COMMUNITY
Because connection is everything in film.
Inside Circle you’ll connect with filmmakers, stunt performers, and action creatives leveling up together.
Weekly LIVE calls with me to ask questions and get direct guidance.
Ask questions, get feedback, share scenes, and learn from people who understand story, movement, and emotion at a deep level.
You’re not buying a PDF — you’re stepping into a room built for action creators.
Because sometimes, all it takes to change your trajectory...
is being in the right room.
$699 Program Access
Split your investment into easy payments with Klarna at checkout
Instant access to the full program · Keep it forever
- ✔ Instant, lifetime access to every Fight Lab core module
- ✔ Monthly live Q&A sessions with me for feedback and questions
- ✔ Weekly in-community office hours inside Circle chat for guidance and support
- ✔ Downloadable Fight Manual and on-set tools you can use on real shoots
- ✔ Private Fight Lab Circle community for accountability & collaboration
Your camera + this system = next-level fight scenes
You’ll walk away with a repeatable framework to design, shoot, and edit cinematic fight scenes that feel like they belong in real films — not just YouTube experiments.
ENROLL IN FIGHT LAB
YOU – YOUR CAMERA –
AND A FRAMEWORK
GROWS YOUR FOLLOWING
BLOWS UP YOUR CHANNEL
KNOWING WHAT THE SCENE IS ACTUALLY ABOUT
“What is the coolest sequence of choreography I could possibly come up with?”
They spend all of their energy designing punches and kicks and combos but never ask the most important question...
But to shoot compelling fights, this has to be the foundation.
As a martial arts nerd it pains me to say this... but audiences don’t care about choreography.
We’re choreographing for audiences – not other martial arts nerds.
And audiences connect through character and story.
When you start with character:
• Who they are
• How they approach the world
• Where they are in their journey
...the choreography creates itself.
In real life, ballerinas suffer. They dance with broken bleeding toes.
They push through pain. They endure.
So we used that. She gets beat up. She struggles beat by beat.
he’s hesitant and unsure, fighting with effort.
But as he begins to believe he is the One, the choreography shifts.
He becomes more fluid, more composed
his fight style evolves too.
At first, he’s all force and survival.
But as he adopts samurai philosophy, his movements become more measured
• Make sure the punches sell
• Find a cool angle
• Shoot it
• Move on
• Their purpose
• How they fit together
• Before you ever press record
US TO ASK:
• What character, story beat, or emotion am I conveying?
• How can the camera reinforce that?
ISN’T JUST
THEORY
• Use camera movement with purpose, not randomly
• Pick focal lengths, angles, and framing that heighten impact
• Build your sequences before you ever press record: like a director
“The film industry can feel chaotic, but Caleb makes you feel welcome from the start. His communication is clear, and the class is relaxed, easy to follow, and full of valuable insights. If you're looking to break into filming action, I highly recommend it.”
– Luke, Fight Lab Student
Hear directly from filmmakers who transformed their work with Fight Lab.
WHETHER YOU’RE TRYING TO LAND JOBS, BUILD A FOLLOWING,
OR GROW YOUR YOUTUBE CHANNEL
- ✔️ EMOTIONALLY DRIVEN CHOREOGRAPHY
- ✔️ CRAFTING FIGHTS LIKE AN ACTION DIRECTOR BUILT ON CHARACTER AND STORY
- ✔️ HOW TO IMMERSE YOUR AUDIENCE THROUGH CAMERA DESIGN
- ✔️ A REPEATABLE FRAMEWORK FOR SHOOTING CINEMATIC SEQUENCES
- ✔️ UNLOCK HOW TO HEIGHTEN TENSION AND ESCALATION THROUGH EDITING
Fight Lab is now built for filmmakers who want to learn *fast* at their own pace.
No drip schedule. No waiting weeks for modules.
You get instant access to the entire system the moment you enroll — plus ongoing support with me to keep you progressing.
Core Module — Tech Foundations
Master the camera so it never holds you back
You’ll build a rock-solid foundation: screen direction, framing, selling hits, lensing, and real-world settings that make fights actually look cinematic.
- ✔ Cinematic settings for clarity and compression
- ✔ Composition rules that actually matter for action
- ✔ How to sell hits for camera (and why yours may look fake)
- ✔ Breaking the 180-degree rule *intentionally*
- ✔ Real-world gear walkthrough and lens choice
Core Module — Mindset & Character-Driven Fight Design
Think like an Action Director
Stop choreographing random cool moves. Start designing fights that mean something and actually land emotionally.
- ✔ Overcome creative blocks and overthinking
- ✔ Tie movement to character and stakes
- ✔ Build escalation like a story (setup → escalation → resolution)
- ✔ Map motion paths and geography before you choreograph
- ✔ “Design for the camera” mindset from the first idea
Core Module — Camera Design & Shooting Fights
Stop filming. Start designing.
You’ll learn to plan a sequence like a director — with intentional shots, clean geography, and energy that reads.
- ✔ Walkthrough a fight with me and learn my entire thought process
- ✔ Choosing coverage that supports the edit
- ✔ Mapping entrances/exits, overlaps, and screen direction
- ✔ Energy tools: counter-movement, lensing, camera motion
- ✔ Building your “Menu” of dynamic shot types
Core Module — Editing & Rhythm
Make your cut tell the story (and hit harder)
Learn the invisible tools that make fight scenes feel like actual films — pacing, rhythm, emotion, and sound.
- ✔ Rhythm and pacing for clarity and tension
- ✔ Impact moments: hold vs smash
- ✔ Sound design as emotional glue
- ✔ Rough → rhythm → polish → mix workflow
On-Set Tools & Templates
Practical assets you’ll use forever
- ✔ Downloadable Fight Manual
- ✔ Shot planners & sequence maps
- ✔ Camera & lens reference sheets
- ✔ Cinematic and Exposure cheatsheets
PRIVATE CIRCLE COMMUNITY
Because connection is everything in film.
Inside Circle you’ll connect with filmmakers, stunt performers, and action creatives leveling up together.
Weekly LIVE calls with me to ask questions and get direct guidance.
Ask questions, get feedback, share scenes, and learn from people who understand story, movement, and emotion at a deep level.
You’re not buying a PDF — you’re stepping into a room built for action creators.
Because sometimes, all it takes to change your trajectory...
is being in the right room.
$699 Program Access
Split your investment into easy payments with Klarna at checkout
Instant access to the full program · Keep it forever
- ✔ Instant, lifetime access to every Fight Lab core module
- ✔ Monthly live Q&A sessions with me for feedback and questions
- ✔ Weekly in-community office hours inside Circle chat for guidance and support
- ✔ Downloadable Fight Manual and on-set tools you can use on real shoots
- ✔ Private Fight Lab Circle community for accountability & collaboration
Your camera + this system = next-level fight scenes
You’ll walk away with a repeatable framework to design, shoot, and edit cinematic fight scenes that feel like they belong in real films — not just YouTube experiments.
ENROLL IN FIGHT LAB