LAB
START DESIGNING CINEMATIC FIGHTS.
And it's not a workshop where you learn 5 beats of choreo, perform it once, and leave with nothing you can build on.
It's the system I use coordinating action for Hollywood — rebuilt for filmmakers, YouTubers, solo shooters, and creators working with small crews and real budgets.
“Every time I try to shoot a fight it always ends up looking flat and amateur.”
“I can choreograph cool moves but once the camera comes on I’m lost.”
“I watch my footage back and it looks like coverage, not cinema.”
“I’m scared to even attempt action on a real project because I know I’ll embarrass myself.”
“I’ve watched every YouTube tutorial. I still can’t make it look right.”
“Honestly, I don’t even know where to start.”
SCENE IS ACTUALLY ABOUT
TRAPS
CHOREOGRAPHY FIRST
THINKING
They spend all of their energy designing punches and kicks and combos but never ask the most important question…
But to shoot compelling fights, this has to be the foundation.
As a martial arts nerd it pains me to say this… but audiences don't care about choreography.
We're choreographing for audiences – not other martial arts nerds.
And audiences connect through character and story.
When you start with character:
- Who they are
- How they approach the world
- Where they are in their journey
...the choreography creates itself.
In real life, ballerinas suffer. They dance with broken bleeding toes.
They push through pain. They endure.
So we used that. She gets beat up. She struggles beat by beat.
he's hesitant and unsure, fighting with effort.
But as he begins to believe he is The One,
the choreography shifts.
He becomes more fluid, more composed
his fight style evolves too.
At first, he's all force and survival.
But as he adopts samurai philosophy, his movements become more measured
• Craft fights that tell a story
• Make choreography feel like discovery – not random
• Create contrast and escalation that build emotional arcs
THINKING IN SHOTS, NOT SEQUENCES
• Make sure the punches sell
• Find a cool angle
• Shoot it
• Move on
It feels like coverage.
• Multiple shots
• Their purpose
• How they fit together
• Before you ever press record
What is this shot about?
What character, story beat, or emotion am I conveying?
How can the camera reinforce that?
• Use camera movement with purpose, not randomly
• Pick focal lengths, angles, and framing that heighten impact
• Build your sequences before you ever press record: like a director
Hear directly from filmmakers who've gone through Fight Lab and started shooting fights that actually feel cinematic.
– LUKE, FIGHT LAB STUDENT
Fight Lab is built for filmmakers who want to learn *fast* at their own pace.
No drip schedule. No waiting weeks for modules.
You get instant access to the entire system the moment you enroll — plus ongoing support with me to keep you progressing.
Core Module — Tech Foundations
Master the camera so it never holds you back
You'll build a rock-solid foundation: screen direction, framing, selling hits, lensing, and real-world settings that make fights actually look cinematic.
- ✔ Cinematic settings for clarity and compression
- ✔ Composition rules that actually matter for action
- ✔ How to sell hits for camera (and why yours may look fake)
- ✔ Breaking the 180-degree rule *intentionally*
- ✔ Real-world gear walkthrough and lens choice
Core Module — Mindset & Character-Driven Fight Design
Think like an Action Director
Stop choreographing random cool moves. Start designing fights that mean something and actually land emotionally.
- ✔ Overcome creative blocks and overthinking
- ✔ Tie movement to character and stakes
- ✔ Build escalation like a story (setup → escalation → resolution)
- ✔ Map motion paths and geography before you choreograph
- ✔ "Design for the camera" mindset from the first idea
Core Module — Camera Design & Shooting Fights
Stop filming. Start designing.
You'll learn to plan a sequence like a director — with intentional shots, clean geography, and energy that reads.
- ✔ Walkthrough a fight with me and learn my entire thought process
- ✔ Choosing coverage that supports the edit
- ✔ Mapping entrances/exits, overlaps, and screen direction
- ✔ Energy tools: counter-movement, lensing, camera motion
- ✔ Building your "Menu" of dynamic shot types
Core Module — Editing & Rhythm
Make your cut tell the story (and hit harder)
Learn the invisible tools that make fight scenes feel like actual films — pacing, rhythm, emotion, and sound.
- ✔ Rhythm and pacing for clarity and tension
- ✔ Impact moments: hold vs smash
- ✔ Sound design as emotional glue
- ✔ Rough → rhythm → polish → mix workflow
On-Set Tools & Templates
Practical assets you'll use forever
- ✔ Downloadable Fight Manual
- ✔ Shot planners & sequence maps
- ✔ Camera & lens reference sheets
- ✔ Cinematic and Exposure cheatsheets
PRIVATE CIRCLE COMMUNITY
Because connection is everything in film.
Inside Circle you'll connect with filmmakers, stunt performers, and action creatives leveling up together.
LIVE calls with me to ask questions and get direct guidance.
Ask questions, get feedback, share scenes, and learn from people who understand story, movement, and emotion at a deep level.
You're not buying a PDF — you're stepping into a room built for action creators.
Because sometimes, all it takes to change your trajectory...
is being in the right room.
• You have access to a camera (any camera — even a phone works to start)
• You're willing to practice, not just watch
• You've tried YouTube tutorials and still can't make it look right
• You're looking for a magic button — this takes work
• You're not going to actually shoot anything
LAB
Instant, lifetime access to the complete Fight Lab core program
Split into easy payments with Klarna at checkout
Go through the first module. If Fight Lab isn't what you expected, email me within 7 days for a full refund. I only want people in this community who are getting real value.
I'm not here to convince you. If you're the kind of person who invests in what matters — who finds a way when the opportunity is right — you already know if this is for you.
ENROLL NOW